#i am pretty sure ha

[egophiliac]

YO TREY CLOVER IS HERE !!!

TREY NOOOO you weren't supposed to look so cool, I was supposed to be able to save my keys for all the upcoming birthdays, how could you do this to me --

also hey. hey Trey. what's in that bowl.

[poorly-drawn-mdzs]

Your beats make me sick

[First] Prev <–-> Next

[bltchkawa]

Uhhhhhhhhhh meow

[sergle]

Having a STUPID TIME trying to accomplish the very basic task of re-filling my prescription bc my bitch doctor is apparently completely off the grid

[sonjalikestodraw]

Burned Grey got her wedding cake at last ~

[coldbycrossfade]

MAN THAT REALLY COLORS THIS RESPONSE IN THIS CONVERSATION SO DIFFERENTLY FOR ME

[siriusblackdevotee]

Remus: I waited three and a half years (to fuck Sirius)

Remus: white man (Barty) did it one week

Remus: I said I waited three and a half years—

[i-know-the-endss]

i think the most frustrating part about tbosas is the fact that you want to root for coryo. you want him to be a better man for lucy gray. you want him and sejanus to become closer, to become the best friends sejanus believes them to be. you want him to run away and find a way to relearn all the oppressive and tyrannical ideals the capitol instilled in him.

but that’s not what happens.

coriolanus isn’t necessarily a good person. he’s not a bad person either, not yet, but he’s no where near good. and rather than try to be good, he gives up, he lets himself “go bad”, he rats out sejanus, he lets his anger get the best of him and loses lucy gray.

the idea that coryo could be a good person but chooses not to be is exactly the reason this book and this character are brilliant.

[que3rduckling]

Hey ever think about how Nightwing is Batman’s greatest success and how Dick Grayson is Bruce Wayne worst failure? About how crazy that is? No? Just me? Okay…

[buwheal]

Hello, Spamton!

How's life? Also, do you have any opinions on the Addisons? (Pink, blue, orange, and yellow)

If so, what do you think of them?

[kiragecko]

Authour’s Voices

I read fic for voice before anything else. Plot, tropes, canon compliance – they all pale in comparison to the word crafting. But voice is hard to describe, and referencing certain verbal tics is more likely to make an authour self-conscious than it is to flatter. So, here's my best attempt to describe the voices of some of my favourite fanfic authours – focusing on tone, subject matter, and the feelings they provoke, in a hope that I can get across at least a hint of how they sound.

@suzukiblu / suzukiblu / Rin (I read for DCU, Young Justice TV, Avatar)

REALLY intertwines characters thoughts and feelings in compelling ways. Inner monologues are a particular strength. Digs deep into what motivates characters and then lets them be insecure and angry because of those things. Writes REALLY close third person narration – ie. we are entirely in one person’s head, but the narration is using their name instead of saying ‘me.’ And we are ENTWINED in their head. Deeply. Maybe actually more in their chest -  the emotions are visceral and immediate. Very cathartic angry/overwhelmed ranting is a feature. People learning that they have inherent value. Romance/sex that is based on strong connections, and goes far deeper than hormones. A strong understanding of canon, used to write alternate universes that are much richer for that knowledge. Stories are cathartic, and leave you washed clean and energized.

@whetstonefires / Kieron_ODuibhir (/ Kieron) (I read for DCU, The Untamed/The Other Versions Of This Story)

Thoughtful, empathic stories that feel like they’ve spent months being refined to perfection. Also incredibly strong understanding of canon, with a much higher chance of showing her work on the page. A gift for searching out the nagging, poorly fitting pieces of canon characterization, and integrating them in her fic in ways that makes rereading the original a better experience. Beautiful, haunting, sentences. Feels like poetry makes me feel. A writing style that ALMOST feels intellectual, but is actually incredibly empathic. The knowledge is the vessel that carries the ... love? Respect? Maybe respect, and care, and dignity, that she has for the characters she’s writing about. Stories leave you quiet and satisfied.

@galaxystew / galaxysoup (I read for Avengers/Thor, Supernatural)

Careful, emotional, deep stories. There is a sense of immenseness, that the story can’t go too fast or it would become unstoppable. DEEPLY moving, gut-wrenching, stories told from just enough emotional distance to avoid overwhelming the audience. But they also about taking time to rest, both for the characters and the audience. Focuses on exploring and healing damaged relationships, (and damaged people), and never goes for the easy/trite solutions. Unassuming language and imagery that grounds the sometimes epic elements of her canons. Stories leave you grateful – grateful that the characters have reached that place, and grateful you got to come along.

@teland / Teland / Te (I read for DCU)

Stories have only the vestigial remains of a narrator. Almost everything is verbal or mental dialogue, usually without tags. (Ie. things like ‘Tim said.’) This would be frustrating with most writers, but Te’s character voices are SO strong and distinct that a story can start with an unnamed person talking and you immediately know who it is. She focuses on aspects of characters that many other authours miss (though some of that could be survivorship bias – perhaps she was part of a zeitgeist that hasn’t been preserved). She gets DEEP into the psyches of the characters she’s writing, dissects them, and then has them dryly comment on their displayed innards. Excels at characters that are very disconnected from their emotions, but also at characters who live immediately IN their emotions. Strong themes of identity and found family, though not in the way ‘found family’ is usually used these days. Symbolic, projected family? Stand-in, or sublimated, or substituted family? Something in that area. A lot of sex, which is also standing in for other things. Electric, transformative stories, with extremely long chapters that are hard to escape from when the world tries to call you back. Stories leave you alive to the possibilities, and maybe knowing more about yourself.

@angel-gidget / angel_gidget / Gidge (I read for DCU)

There’s an optimism and joy to Gidge’s writing. A ... cleanness. Hmm, what do I mean? I ... I’m not actually sure? But it feels refreshing and space-making, to read a Gidge story. It feels like they SHOULD be humorous, with the effects they have, but that’s not actually the focus? It feels like they’re light, even when the topic is heavy and treated seriously. It’s a really special gift, what Gidge has. Maybe the correct term is ‘conversational’? Yeah, there’s a matter-of-fact, conversational tone to everything she creates, and it lifts your spirits every time you read it.

@vmohlere / owlet (I read for Avengers/Captain America)

Absolutely brilliant way of using humour to tackle difficult subjects. Stories are so funny and positive, that it’s hard to realize how dark the things referenced are. It helps that they usually don’t become explicit until the characters have mostly processed them, and they’ve been defanged of a lot of their power. I’ve never seen someone else accomplish this, and it blows me away. Incredible OCs. Deep empathy for character’s specific needs, and focusing on what THEY’RE ready to focus on. Boundaries are not only respected, but taught. And all of this is happening behind a wry, clever sense of humour that invites you in to hang out for a while. One of the most joyful reading experiences I’ve ever had. I’ve used scenes to walk myself through bad mental periods. And I still think about their work every time I make a grilled cheese.

[grapecaseschoices]

Thanks @laufire

Shuffle your “on repeat” playlist & post the first 10 songs and tag 10 people

World’s Smallest Violin by AJR

3 O’Clock Things by AJR

Bloom [Bonus Track] by The Paper Kites

Conceited by SZA

Two by Sleeping At Last

For What It’s Worth by Buffalo Springfield

For Blue Skies by Strays Don’t Sleep

Nonsense by Sabrina Carpenter

The Wire by Vancouver Sleep Clinic

Truly, Madly, Deeply [Cover] by Yoke Lore

@dakotawritesif   @indorilnerevarine   @galpal95   @finalgirl-horatio   @queerdetectiveblue  @sustainably-du-mortain ​  @sunshineandviolets    @mistyeyedbi @thecourierbabe   @i-mybrunettelady @cypresssunns

I was tagged by @wowthatsextra (ty!). I'll start a new post, because that chain was getting long ^^U

Shuffle your “on repeat” playlist & post the first 10 songs and tag 10 people

Aretha Franklin's "Don't Play That Song (You Lied)"

Florence + the Machine's "Dream Girl Evil"

Nina Simone's "Blues for Mama"

Kate Bush's "Babooshka"

Hans Zimmer's "DNA"

Klementyna Umer's "Kolysanka Rosemary"

Tchaikovsky's "Dance of the Sugar Plum Fairy"

Amistades Peligrosas' "Quítame este velo"

Aaliyah's "We Need a Resolution"

Tina Turner's "Private Dancer"

tagging: @broodparasitism @erensattacktitandick @grapecaseschoices @peresephones @blairwaldcrf @habibialkaysani @iamnotawomanimagod @nicoleanell @starry-sky-stuff @the-greendalehumanbeings no pressure!

[waywardlampcookieturkey]

The one thing I still haven't seen anyone talking about when mentioning Xie Lian's gigantic statue that Hua Cheng carved when he was inside the kiln is that... Well, He Xuan also went into the kiln... years after Hua Cheng came out I'm pretty sure... Do you see where I'm going with this????

[getvalentined]

Disappointed that, in spite of using a more accurate translation in Chapter 2 of Crisis Core, EC has switched over to the original English localization for Chapter 3—in spite of having Japanese audio, meaning you can literally hear that the lines exchanged between Genesis and Sephiroth are NOT WHAT THE SUBTITLES SAY if you have THE MOST BASIC UNDERSTANDING OF JAPANESE.

「いい だろう」 (ii darou) is not "come and try." It has never been "come and try." In context, it's literally "that's good" or "that would be nice."

Let me clarify this, once more: in Japanese, Genesis says "I'll be a hero too," and Sephiroth responds "That would be nice."

This fucked up no-homo English localization has utterly ruined Western fandom's perception of these two since the game first came out, and the continued refusal to fix it is one of the most infuriating things to deal with. It makes Genesis seem petty, bitter, self-absorbed; it makes Sephiroth seem arrogant, sanctimonious, like the kind of person who viciously belittles his closest friends.

That's not who either of them are, particularly not with each other. Genesis didn't want to surpass Sephiroth, he wanted to be his equal. And Sephiroth wanted that too! Sephiroth wanted an equal as much as Genesis wanted to be able to stand at his side! Sephiroth was as supportive as Genesis was determined, and both had too much respect for one another not to give these matches of theirs everything they had. Genesis would never accept a victory that wasn't genuine, and Sephiroth would never belittle him by offering such a thing.

They were playing. They were supporting each other. They were having fun working toward a mutual goal because they love each other.

It's been over 15 years and the update dropped during PRIDE MONTH and English localizers STILL HAVE NOT FUCKING FIXED IT.

[doink-boink]

🎄Tis' the Season! 🎄

[hanzajesthanza]

geralt and ciri are like the parent-child version of “would you still love me if i was a worm” test for relationships like “would you still love me if i was Evil incarnate and was a damaged child sick with a thirst for revenge and you would regret teaching me how to kill”